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Exit

By: Thomas Davidson

Parallel worlds are best left to theoretical physicists. Not Rayne Moore and her boyfriend, Tim Crowe, two struggling screenwriters. Their passion for movies will lead to an unusual door, where the exit is an entrance. And what's coming next...is "coming soon" to our world.

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Parallel worlds are best left to theoretical physicists. Not Rayne Moore and her boyfriend, Tim Crowe, two struggling screenwriters. Their passion for movies will lead to an unusual door, where the exit is an entrance. And what's coming next...is "coming soon" to our world.

Tim, home from Massachusetts General Hospital and recovering from retinal surgery, sneaks out one night and sees a movie (with one eye). The film paints a paranoid near-future, as impersonal and invasive as a grainy security-camera image. The trailer for coming attractions isn't a tease--it's a warning. But the pièce de résistance is the theater itself. Tim experiences movie magic unlike anything he's ever seen. When he goes missing, Rayne follows his faint trail to the theater, seeing an eerie clip of coming attractions. On the screen, she spots a lone figure on a crowded street. Tim? When she walks down the aisle and opens the rear exit, her journey begins.

Because at this theater, you never go out...the way you come in. Now turn off your cell phone, dim the lights.

It's showtime.

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